An Examination of "Classic Albums: The Wailers' 'Catch A Fire'" by Daniel & Seth Nelson
INTRODUCTION
THE SONGSan iration.com creation The documentary details how the songs on "Catch A Fire" were created in Jamaica on eight-track tapes, and then subsequently taken by Bob Marley to Basing Street Studios in London, the headquarters of Island Records. The tracks were then overdubbed under the supervision of Bob Marley and Chris Blackwell, using American studio musicians to give the music more of a rock feel, in an attempt to break The Wailers into America. On "Rock It Baby," for instance, a slide guitar, played by Wayne Perkins, was added to achieve this rock sound. Interestingly, Chris Blackwell called the album one of the most overdubbed projects he had ever worked on. The slide guitar adds an almost country-like feel to this song, and accomplishes the rock crossover sound. "Concrete Jungle" also utilizes added guitar playing by Perkins who obtained the suspended notes heard throughout the song with a sustain pedal. Robbie Shakespeare, half of the legendary Riddim Twins duo, was brought in to add bass, for what later became the most overdubbed song on the album, along with "Stir It Up." Tony Platt, the album's remix and overdub engineer, pointed out in the film the significance of this tune, by stating that since it was the opening song to the album, it therefore introduced the world to The Wailers, so it had to be just right to reel the rock audience in and keep them listening. The Wailumentary even details the album's omitted track "High Tide, Low Tide," which Chris Blackwell believed was not right in the overall plan they had for "Catch A Fire." THE INTERVIEWS
THE FOOTAGE The "Classic Albums" documentary incorporates extraordinary video segments that further showcase The Wailers' greatness. Director Jeremy Marre combines Wailers' black and white home videos from 1972, which feature The Wailers at scenes such as a waterfall, rehearsing, and even a sequence of Bunny Wailer driving in the back of a convertible watching the Jamaican countryside pass by. Also fantastic footage of the 1973 Old Grey Whistle Test in London, with all three Wailers together in a pristine quality picture, is yet another of the film's highlights. This performance by The Wailers was the first reggae group to ever play on the show, further proving how groundbreaking not only their album "Catch A Fire" was, but also the band in general. Other rehearsal footage is shown throughout as well as live material from 1973 in Edmonton, London. Bassist Aston "Familyman" Barrett is interviewed and shown rehearsing together with organist Earl Lindo, and guitarist Alva "Reggie" Lewis (who was also with The Wailers during their Lee Perry produced-years) on the song "No More Trouble." More modern clips include a rare glimpse at the Bunny Wailer compound, complete with red, gold, and green objects everywhere, as well as the three united hands of The Wailers' original logo greeting the visitor at the gate. ALL-IN-ONE
IN CONCLUSION The Wailumentary is only 60 minutes in length, but in that time the viewer is taken on a journey into the creation of one of the most important musical documents in history. If you still do not think "Catch A Fire" is this legendary, you owe it to yourself to pick up this "Classic Album" film. On the other hand, if you do agree that "Catch A Fire" is a groundbreaking album, this documentary will enlighten and entertain even the most die-hard of Wailers fans. "Catch A Fire" brought to the forefront Bob, Bunny, and Peter and even though they had recorded for some ten years previous, this album ensured their longevity and appeal to people all over the world. There is so much more on this release that really needs to be witnessed for one's own, and by giving it all away would ruin the many treasures contained within. an iration.com creation FURTHER INFORMATION
Credits for "Classic Albums: Catch A Fire": Series Producer: Nick de Grunwald Director: Jeremy Marre Distributed By: Image Entertainment/Rhino |